As to the life story of Lautrec, I am far pickier than most because I am a among other things a retired history teacher. Some of the accents are real, most are not. At the same time you're looking for realism and the picture's ending appears to be the proper one. Sure, the real life character was a pathetic man in many ways, but he was a man--a three-dimensional man. Then he meets a more acceptable woman Suzanne Flon whose genuine friendship and affection he fails to recognize until it is too late. The opening twenty minutes of Moulin Rouge is absolutely stunning. He seems to have been dedicated to preserving his character's dignity, which he does by managing the stature well, but even more by stillness, by underplaying, and by delivering the caustic self-deprecating humour with an exaggerated, drawn-out delivery that conveys the wish to appear careless and ironic. Ferrer was superb in the role of artist Toulouse Lautrec. Handicapped with a birth deformity brought about when cousins marry, he nevertheless rose to prominence as a post Impressionist in Paris during the s. Overall, a recommended look at a famous person's real life.
(, Baz Luhrmann) Moulin Rouge Musical, Le. Visit.
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The picture keeps you involved throughout;however, it is not a happy story.
Not that the Huston seemed very much of a work in its day but, compared to the recent monstrosity it has some things going for it; Oswald Morris's colour photography for instance; reds, yellows and greens, almost giving the impression of having been filtered through smoke, a wonderful cinematic counterpart to the art of Toulouse-Lautrec. It's also perhaps Huston's most personal film, as apparently at one point he planned to make a documentary on French painters.
Follow IMDb on. The film has excellent cinematography and production design, and interesting costumes.
It's interesting though that while both Lautrec and Van Gogh were depressive individuals who lead pretty tragic lives, Moulin Rouge is overall pessimistic in tone, whereas Lust for Life leaves you feeling uplifted and positive. Jose Ferrer performs one of the greatest roles in cinema so convincingly and poignantly I was completely enthralled by this most moving of biopics.
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|So, it is clearly a standout film for the era.
I also think that the film sanitized and over-glamorized Lautrec's relationship with one particular prostitute--whereas the real Lautrec had MANY sexual relationships--many.
At two points the narrative is punctuated by montage sequences of Toulouse-Lautrec's art, delightful compilations enhanced by Georges Auric's musicianly score. His was a rather short life. Jose Ferrer beautifully underplays Lautrec and keeps his inner pain to a barely repressed minimum, except for brief, sardonic, telling outbursts.
Moulin Rouge! is only available for rent or buy starting at $ Get notified if it comes to one of your streaming services, like Netflix, Mary Poppins Poster.
Not once, as the artist or the actor, does Ferrer seek our pity or sympathy. Maybe the producers of "Moulin Rouge" thought an authentic French composer suitable for the project, and his score is sec drynot the least bit melodramatic, and lyrical in a way that seems to me distinctly French.
He leads a life of sadness and despair at the famous Moulin Rouge in Paris. Marchand was nominated for best supporting actress, lost, and was never heard from again.
And she and her "franchise," such as it is, have outlived everybody else connected with this production. Hungarian courtesan Zsa Zsa Gabor birth nose fortunately cosmetically altered while a teenager portrays French chanteuse Jane Avril -- with vocals provided by a black American opera singer who relocated to London.
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|In the scene where Lautrec senior confronts his son in Paris, I can imagine that Huston would have wanted to keep them in separate shots anyway to emphasise the lack of warmth between them, but as it is it looks too obvious and artificial.
But in the 37 years Henri de Toulouse-Lautrec helped change modern painting and advertising illustration, with a vivid but light line and an ability to capture movement. A romantic fiction based on the life of the artist Henri de Toulouse Lautrec, with Jose Ferrar in the title role.
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Part of this, I am sure, is due to the Production Code. Though Luhrmann's film is in no way a remake of Houston's, you could legitimately compare the depictions of a night at the Moulin Rouge that occur early in both films. This is the second John Huston movie I have seen in the space of one week, the other movie being 'The Maltese Falocon'and I am impressed.
A genuine masterpiece bd74 5 August
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